


Arquitectura Viva 220 TEd’A arquitectes
7.99€
Arquitectura Viva 220 TEd’A arquitectes
TED’A ARQUITECTES · DOSSIER UNIVERSIDADES · HERZOG & DE MEURON · OMA / REM KOOLHAAS · BJARKE INGELS / BIG
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INDEX / INDICE
Arquitectura Viva 220






TEd’A arquitectes



Arte y cultura / Art & Culture


Libros / Books

Universidades / Universities




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Product Description
Arquitectura Viva 220 TEd’A arquitectes
TED’A ARQUITECTES · DOSSIER UNIVERSIDADES · HERZOG & DE MEURON · OMA / REM KOOLHAAS · BJARKE INGELS / BIG

Arquitectura Viva 220 TEd’A arquitectes
No commercial war is bloodless. The current clash between the United States and China, which reaches the technological and space fields, encumbers the circulation of ideas, capitals, and goods, and questions the international institutions that establish rules and mediate in conflicts. In a short time we are witnessing the collapse of globalisation and the fracture of the geopolitical balances that have guaranteed a stability disturbed only by proxy wars, tragical always, but constrained in their geographic extension, even though they cause painful outflows. Thirty years after the fall of the Berlin Wall, the world that was going to invest the peace dividends in spreading democracy has withered, and we face a new cold war, this time between two countries that have historically thought of themselves as the center of the world, and whose fight for power has today no ideological basis.
Analysts like to mention ‘the Thucydides trap’ to warn about the risks of the competition between an emerging and a declining power, as this rivalry has often led to war between both. In our case, that danger is increased by the possibility of a miscalculation in the South China Sea, where a minor naval incident could cause an unstoppable escalation of tension; a human mistake in the current missile warning systems, with the tragic consequences explored both in military scenarios and in film fiction; or a digital accident in the computers that control markets and machines, with the possibility of a financial panic or a war between robotic weapons guided by their own artificial intelligence. If commercial war has reached space and cyberspace, the same has happened with the military rivalry that we euphemistically refer to as ‘national security.’
In our multilateral environment of competition for resources, the eclosion of nationalisms is just a mirage that fades before the strength of great powers. The European Union – a cluster of countries with aged populations, limited commercial competitivity, and meager investment in defense – faces the challenge of immigration from an African continent in demographic explosion and climatic emergency; the challenge of digitalization, lacking as it does any large technological companies; and the challenge of security, with no protection from NATO given the growing isolationism of the United States, and threatened by the Russian determination to break its cohesion. Spain is just a small country in this peninsula of Asia we call Europe, and its fates are tied to those of the utopia that created the institutions of Brussels: that is our common home, and our shared shelter in these turbulent times.
TED’A ARQUITECTES
Dossier: Universities
Actualidad / News
Luis Fernández-Galiano
Otras guerras Other Wars
Focho: Bauhaus 100 Years of Design
Espirales orientales Zaha Hadid, MAD in China
Galardones Siza, Williams Tsien, Grafton Architects
Concursos Chipperfield, Barozzi Veiga, OMA
Casas: Mecanoo Villa Vught in the Netherlands
Interiores: Lucas y Hernández-Gil A12 House in Madrid
TEd’A arquitectes
Escuela en Orsonnens
School in Orsonnens
Can Jaime i n’Isabelle
Single-Family House
Apartamentos turísticos
Tourist Apartments
Arte y cultura/ Art & Culture
Eduardo Prieto
El mito de lo mediterráneo Exhibition at Museo ICO
Ángela Gª de Paredes
Afanes de pionera Le monde nouveau de Perriand
Libros / Books
Sesenta y cuatro facetas Environmental Histories
Perspectivas españolas Bauhaus, 100 years of Exchanges
Juego de apropiaciones An ‘Original Bauhaus’ Exhibition
Arte y tecnología Kepes, from Bauhaus to MIT
Márgenes vanguardistas Gender Politics in the Bauhaus
Universidades / Universities
OMA / Rem Koolhaas
Escuela de ingerniería en París, Francia
Lab City CentraleSupélec in Paris, France
Bjarke Ingels / BIG
Centro Universitario Glasir-Tórshavn, Islas Feroe
Glasir-Tórshavn College, Faroe Islands
Herzog & de Meuron
Instituto de Ciencia y Tecnología en Moscú, Rusia
Institute of Science and Technology in Moscow, Russia
Richard Ingersoll
Reducir, reusar, reciclar
We Do Not Need Any More Buildings
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Known as much for his theoretical proposals as for his provocative buildings, Rem Koolhaas has become one of the most influential contemporary architects. The first monograph that AV devotes to the Dutch covers his latest period, focused on heritage, history and ecology, and presents buildings carried out by his Rotterdam office since 2000, the year Koolhaas picked up the Pritzker Prize. With an essay and twelve critical texts by Luis Fernández-Galiano, the monograph includes buildings completed by the studio over the last fifteen years: starting with the Prada Epicenter in New York and closing with the Fondazione Prada recently inaugurated in Milan, the issue also features emblematic buildings like the Dutch Embassy in Berlin, the Seattle Central Library, the Casa da Música in Porto or the CCTV in Beijing, and recent openings like De Rotterdam or the Garage Museum of Contemporary Art in Moscow. Furthermore, ten projects in three different continents – among them the Taipei Performing Arts Center, the Musée National des Beaux-Arts of Quebec or the Axel Springer Campus in Berlin – take stock of the growing international presence of the Rotterdam studio, which has set up offices also in New York, Hong Kong, Doha and Dubai.
Conocido tanto por sus propuestas teóricas como por sus provocadores edificios, Rem Koolhaas se ha convertido en uno de los arquitectos contemporáneos más influyentes. La primera monografía que AV dedica al holandés cubre su última faceta, volcada en el patrimonio, la historia y la ecología, y recorre el trabajo desarrollado por su oficina a partir de 2000 —año en que Koolhaas recibió el Pritzker—. Acompañada de un ensayo y doce textos críticos de Luis Fernández-Galiano, la publicación recorre la obra construida por el estudio durante los últimos quince años: desde la tienda para Prada en Nueva York hasta la sede para la fundación que la firma italiana ha abierto en Milán, pasando por edificios tan emblemáticos como la embajada de los Países Bajos en Berlín, la Biblioteca Central de Seattle, la Casa da Música en Oporto o la sede de la CCTV en Pekín, e incluyendo inauguraciones recientes como el complejo De Rotterdam en su ciudad natal o el Museo de Arte Contemporáneo Garage en Moscú. Además, diez proyectos repartidos por tres continentes —entre ellos el Centro de Artes Escénicas de Taipei, el Museo de Bellas Artes de Quebec o la nueva sede para Axel Springer en Berlín— muestran la creciente proyección internacional del estudio de Rotterdam, que tiene ya oficinas en Nueva York, Hong Kong, Doha y Dubái. Read this magazine on iPhone, iPad, Android tablets and desktop computers / Lee esta revista en dispositivos iOS, Android y ordenadores de sobremesa ArchPAPERS Digital books and magazines on Architecture - Revistas y Libros Digitales de Arquitectura