


Arquitectura Viva 223 Grafton Architects
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Arquitectura Viva 223 Grafton Architects
Grafton Architects · DOSSIER Prefabrication · KAAN Architecten Summary · Frohn & Rojas
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Arquitectura Viva 223








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Arquitectura Viva 223 Grafton Architects
Grafton Architects · DOSSIER Prefabrication · KAAN Architecten Summary · Frohn & Rojas

Arquitectura Viva 223 Grafton Architects
We need emptiness as we need silence. The tiring ‘empty Spain’ controversy draws our attention to the depopulation of vast territories, but does not explain the advantages of having geographical spaces not colonized by sprawl. Some activists prefer the tag ‘emptied Spain’ to place the blame on the power of attraction of large cities, and fail to mention that people vote with their feet. Metropolitan appeal has gathered many of us in compact cities, leaving behind the silence of scarcely populated territories. The cacophony of civic agitation versus the placid beatitude of the province are extremes of a tension that could also be formulated between a mix of stimuli and a place halted in time. However, that same countryside is home both to the new activities documented in Rem Koolhaas’s exhibition at the Guggenheim and to farmlands whose precarious competitiveness has recently made tractors take European roads.
Some say that infrastructures order the territory giving its nodes priority, but so do orography and water resources, and it does not seem easy to impose a homogeneous grid over a peninsula traversed by mountain ranges and tensioned by the coasts and the valleys of large rivers. The diversity of the terrain offers places of very different characteristics, ways of life, and opportunities, and people move changing residence and habits to adapt to their preferences or possibilities, knowing that it is not possible to ask for silence in the metropolis or for clatter in the village. Beyond the reasonable supply of minimum services, the so-called ‘empty Spain’ cannot demand airports, high-speed trains, opera houses, or large stadiums, because these facilities are inseparable from density, just as what could be called ‘full Spain’ must accept the fact that its privileged educational, cultural, or health services are incompatible with the calm flow of rural life.
The determination to fill empty spaces is not very different from that of devoting every fraction of time to productive effort, ignoring that our bodies and our minds, just like our harvest lands, need fallow periods, leisurely walks, and distracted digressions. It is thus fair to defend emptiness not from the mystic sense of relinquishment or minimalist laconicism, but from contempt for the rhetorical optimization of time and space, an empty and sterile productivism that fills territories and lives with sleepless activity. But the void has worse press than silence, and it is easier to praise ‘silent Spain’ than ‘empty Spain,’ because the second term implies loss and absence, while the first belongs to the lineage of the silent, those who refuse to speak to avoid being dragged by the idle talk that fills the media and the internet. After all, we survive the gale of time in the pauses of history and in the hollows of landscape.
GRAFTON ARCHITECTS
Yvonne Farrell y Shelley McNamara, Pritzker Prize
Dossier: Prefabrication
Actualidad / News
Luis Fernández-Galiano
Encomio del vacío In Praise of Emptiness
Focho: Campos futuros Koolhaas on Countryside
Una despedida Vittorio Gregotti 1927-2020
China ejemplar Neri & Hu, GLA Design
Proyectos singulares OMA, Herzog & de Meuron
Primeros premios Nieto Sobejano, Emac, Bax
Casas: Anna i Eugeni Bach House in Girona
Interiores: Wutopia Lab Bookstore in Shanghai
Exteriores: Batlle i Roig Les Guixeres Path in Barcelona
Textos: Jorge Gorostiza Parasites in Paradise
Grafton Architects
Centro Universitario
Town House Kingston University
Escuela de negocios
Toulouse School of Economics
Antonio Lucas
Un brutalismo amable
A Conversation
Arte y cultura/ Art & Culture
Vladimir Belogolovsky
La colonización del campo Koolhaas at the Guggenheim
Rem Koolhaas
El espacio ignorado El espacio ignorado
Libros / Books
La edad de la ansiedad Contemporary Concerns
Burbujas setenteras Prada Poole in Ibiza
Balance dialogado Norman Foster, Oral History
Eclecticismo como virtud Monograph on Boris Iofan
Prefabricación / Prefabrication
KAAN Architecten
Edificio de usos mixtos en Nantes
Mixed-Use Development in Nantes
FAR / Frohn & Rojas
Apartamentos y taller en Berlín
Apartments and Atelier in Berlin
Summary
Viviendas modulares en Vale de Cambra
Modular Housing Units in Vale de Cambra
Luis Fernández-Galiano
El mundo detenido
Globalization in Reverse
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Read this magazine on iPhone, iPad, Android tablets and desktop computers / Lee esta revista en dispositivos iOS, Android y ordenadores de sobremesa ArchPAPERS Digital books and magazines for Architecture - Revistas y Libros Digitales de ArquitecturaKnown as much for his theoretical proposals as for his provocative buildings, Rem Koolhaas has become one of the most influential contemporary architects. The first monograph that AV devotes to the Dutch covers his latest period, focused on heritage, history and ecology, and presents buildings carried out by his Rotterdam office since 2000, the year Koolhaas picked up the Pritzker Prize. With an essay and twelve critical texts by Luis Fernández-Galiano, the monograph includes buildings completed by the studio over the last fifteen years: starting with the Prada Epicenter in New York and closing with the Fondazione Prada recently inaugurated in Milan, the issue also features emblematic buildings like the Dutch Embassy in Berlin, the Seattle Central Library, the Casa da Música in Porto or the CCTV in Beijing, and recent openings like De Rotterdam or the Garage Museum of Contemporary Art in Moscow. Furthermore, ten projects in three different continents – among them the Taipei Performing Arts Center, the Musée National des Beaux-Arts of Quebec or the Axel Springer Campus in Berlin – take stock of the growing international presence of the Rotterdam studio, which has set up offices also in New York, Hong Kong, Doha and Dubai.
Conocido tanto por sus propuestas teóricas como por sus provocadores edificios, Rem Koolhaas se ha convertido en uno de los arquitectos contemporáneos más influyentes. La primera monografía que AV dedica al holandés cubre su última faceta, volcada en el patrimonio, la historia y la ecología, y recorre el trabajo desarrollado por su oficina a partir de 2000 —año en que Koolhaas recibió el Pritzker—. Acompañada de un ensayo y doce textos críticos de Luis Fernández-Galiano, la publicación recorre la obra construida por el estudio durante los últimos quince años: desde la tienda para Prada en Nueva York hasta la sede para la fundación que la firma italiana ha abierto en Milán, pasando por edificios tan emblemáticos como la embajada de los Países Bajos en Berlín, la Biblioteca Central de Seattle, la Casa da Música en Oporto o la sede de la CCTV en Pekín, e incluyendo inauguraciones recientes como el complejo De Rotterdam en su ciudad natal o el Museo de Arte Contemporáneo Garage en Moscú. Además, diez proyectos repartidos por tres continentes —entre ellos el Centro de Artes Escénicas de Taipei, el Museo de Bellas Artes de Quebec o la nueva sede para Axel Springer en Berlín— muestran la creciente proyección internacional del estudio de Rotterdam, que tiene ya oficinas en Nueva York, Hong Kong, Doha y Dubái. Read this magazine on iPhone, iPad, Android tablets and desktop computers / Lee esta revista en dispositivos iOS, Android y ordenadores de sobremesa ArchPAPERS Digital books and magazines on Architecture - Revistas y Libros Digitales de Arquitectura